"... sounds so good !" Tomi Räisänen
on preparations of "Crossings",
2022
"Brilliant Work !"
Sir James MacMillan
on the version for double bass solo of "In angustiis" 15th of November 2021
" Generally impressing sound sensetiveness . . . "
Oliver Stenzel,
Kieler Nachrichten,
april the 27th 2016
" . . . very impressive"
Friedhelm Döhl
about a performance of
"Sieben Canti"
november the 19th 2015
" . . . phantastically animated musicians"
BR (Bavarian Radio)
on the CD
"Z.B.: Wogende Äste" of the
ensemble reflexion K presenting
music by N.A. Huber
" . . . good, some sections extremely good"
" Ohne Hölderlin is a listening focus"
Nicolaus A. Huber
about the recording of
"Ohne Hölderlin"
„ . . . a great first performance of my work”
Asta Hyvärinen
baout the first performance
of "Between Emptiness
and Nothing "
„ . . . Heiko Maschmann filled the audience and the composer with enthusiasm”
Kieler Nachrichten 11.11.15
about the first perfromance
of "Between Emptiness and
and Nothing "
by Asta Hyvärinen
" . . . highly inspired performance"
Kieler Nachrichten 14.11.13
about a Stockhausen Recital
in Kiel opera House
" . . . especially Heiko Maschmanns' wide range of highly exciting double bass playing"
„ . . . crystal clear transparence of interpretation“
„ Recommendation of the month“
Neue Zeitschrift für Musik 4/2012
about the CD recording of
IN FREUNDSCHAFT by K. Stockhausen
„ . . . transparence and beauty of sound“
Tibia 2/2013
about the CD recording of
IN FREUNDSCHAFT by K. Stockhausen
„ What a pity Stockhausen cannot hear this anymore“
„ Incredibly good !“
Kathinka
Pasveer
(Stockhausen Foundation)
about the CD recording of
IN FREUNDSCHAFT by K. Stockhausen
„Very clever done !“
Cristóbal Halffter
about „Ist draußen schon Frühling ?“
„ . . . quite beautiful“
Joan La Barabara
about the double bass version of her
„A Trail of Indeterminate Light“
„Miraculous“
Friedrich
Wedell,
director of the
Chiffren Festival Kiel
about a Stockhausen Recital
at Kiel Opera House Kiel
„Very competent, my compliment !“
Peter Ruzicka
about the double bass version of his
Sonata per Violoncello